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・ Thị Nại Port
・ Théâtre des Folies-Marigny
・ Théâtre des Funambules
・ Théâtre des Muses
・ Théâtre des Nouveautés
・ Théâtre des Sept Collines
・ Théâtre des Tuileries
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・ Théâtre des Variétés-Amusantes
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・ Théâtre du Gymnase Marie Bell
・ Théâtre du Marais
・ Théâtre du Nouveau Monde
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Théâtre du Palais-Royal
・ Théâtre du Palais-Royal (rue Saint-Honoré)
・ Théâtre du Peuple
・ Théâtre du Rideau Vert
・ Théâtre du Rond-Point
・ Théâtre du Silence
・ Théâtre du Soleil
・ Théâtre du Vaudeville
・ Théâtre du Vieux-Colombier
・ Théâtre Déjazet
・ Théâtre d’Esch
・ Théâtre Espace Go
・ Théâtre Fairmount
・ Théâtre Feydeau
・ Théâtre français de Toronto


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Théâtre du Palais-Royal : ウィキペディア英語版
Théâtre du Palais-Royal

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The Théâtre du Palais-Royal is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais.〔Wild 2003.〕
== Brief history ==
Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows.
After the July Revolution of 1830 some of the restrictions on theatres were relaxed. Dormeuil and Poirson had the theatre remodelled by Louis Regnier de Guerchy and reopened it as the Théâtre du Palais-Royal with a license to present ''comédies'', ''vaudevilles'', and ''comédies melées d'ariettes'', among which were some early works by Hervé. Later he was its chief musical conductor for several years. The theatre became especially well known for presenting the hilarious comedies of Eugène Labiche.〔"Labiche, Eugène-Marin" in ''The New Encyclopædia Britannica'' (15th edition, Chicago, 1991) vol. 7, p. 79.〕 The restrictions on genre were lifted in 1864,〔Hemmings 1994, pp. 173–174.〕 and the theatre began to present, not only comedies such as the farces of Georges Feydeau, but also more ambitious productions including operettas, the most famous of which was probably Offenbach's ''La vie parisienne'' in 1866. The actresses Hortense Schneider and Virginie Déjazet also appeared there. The unique fire escapes were added in 1880, when the theatre was entirely rebuilt by the architect Paul Sédille.
Gustave Quinson was the theatre's director from 1912 to 1942 and presented comedies by Tristan Bernard and Maurice Hennequin. Performers included the actress Mistinguett and the actor Raimu. In the 1950s the theatre produced Paul Claudel's ''Le soulier de satin'' (''The Satin Slipper'') with Jean-Louis Barrault and Madeleine Renaud. Subsequently the theatre began reviving boulevard comedies, such as those by Feydeau, and Sacha Guitry. Performers included Daniel Auteuil, Jean-Claude Brialy, Jean-Claude Carrière, Pierre Dux, Edwige Feuillère, and Jean Marais.〔Forman 2010, p. 194.〕 Today the theatre continues to present plays and other light entertainments.〔(Archives at the Théâtre du Palais-Royal website ).〕

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